{"id":4986,"date":"2022-04-08T14:22:08","date_gmt":"2022-04-08T18:22:08","guid":{"rendered":"https:\/\/www.lorganisme.com\/?p=4986"},"modified":"2022-04-08T14:22:08","modified_gmt":"2022-04-08T18:22:08","slug":"carolines-editorial","status":"publish","type":"post","link":"https:\/\/www.lorganisme.com\/en\/carolines-editorial\/","title":{"rendered":"Caroline’s editorial"},"content":{"rendered":"

“In these times of transformation where our artistic practice has been evolving in fits and starts for the past two years, I believe that we need more than ever to shine, to become a source of radiation, in all possible forms. The call to use technology and the web to perform, along with the motto “reinvent yourself”, has been questioning and provoking, leaving a bitter aftertaste. However, I was aware that many dance artists were already embracing this type of work. A self-taught practice that often found itself on social networks, being seen and shared in the labyrinth of the web. Within the scope of Linterface<\/a> project, launched this past September, I discovered perspectives and choreographic writings that did not replace the pleasure of the dancers\u2019 physical presence, but that allowed me to approach questions about the body and its affects in a unique way. They have touched me, awakening my imagination and my senses. In Linterface, I see a springing up environment where these emerging voices are welcomed. A virtual space offering visibility among us as peers, but also finding its place in the digital landscape next to other artistic practices. A place to reflect, exchange and get inspired. A place to get one’s feet wet and develop a better understanding of this unique interaction between dance and technology. I think dance can afford to be a multiple body and I notice that dance artists bring a singular and embodied sensibility to their use of technology and digital media, which is unique to our discipline. I thank all the artists in residence who dared to venture with us, you made me travel during these precarious times.”<\/p>\n

Editorial by Caroline<\/a> from lorganisme newsletter<\/a>, April 2022.<\/p>\n","protected":false},"excerpt":{"rendered":"

“In these times of transformation where our artistic practice has been evolving in fits and starts for the past two years, I believe that we need more than ever to shine, to become a source of radiation, in all possible forms. The call to use technology and the web to perform, along with the motto […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[67,51],"class_list":["post-4986","post","type-post","status-publish","format-standard","hentry","category-non-classe","tag-caroline-laurin-beaucage-2","tag-linterface-2"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.lorganisme.com\/en\/wp-json\/wp\/v2\/posts\/4986","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lorganisme.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.lorganisme.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.lorganisme.com\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lorganisme.com\/en\/wp-json\/wp\/v2\/comments?post=4986"}],"version-history":[{"count":3,"href":"https:\/\/www.lorganisme.com\/en\/wp-json\/wp\/v2\/posts\/4986\/revisions"}],"predecessor-version":[{"id":4989,"href":"https:\/\/www.lorganisme.com\/en\/wp-json\/wp\/v2\/posts\/4986\/revisions\/4989"}],"wp:attachment":[{"href":"https:\/\/www.lorganisme.com\/en\/wp-json\/wp\/v2\/media?parent=4986"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.lorganisme.com\/en\/wp-json\/wp\/v2\/categories?post=4986"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.lorganisme.com\/en\/wp-json\/wp\/v2\/tags?post=4986"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}