{"id":6136,"date":"2024-06-25T13:09:50","date_gmt":"2024-06-25T17:09:50","guid":{"rendered":"https:\/\/www.lorganisme.com\/?post_type=accompaniment&p=6136"},"modified":"2026-04-16T12:00:00","modified_gmt":"2026-04-16T16:00:00","slug":"priscilla-guy","status":"publish","type":"accompaniment","link":"https:\/\/www.lorganisme.com\/en\/accompaniments\/priscilla-guy\/","title":{"rendered":"Priscilla Guy"},"content":{"rendered":"\n
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Priscilla Guy, Marie Claire Fort\u00e9, Harmonie Fortin-L\u00e9veill\u00e9 et Claudia Chan Tak dans Peau<\/em> \u00a9 Moise Marcoux-Chabot<\/figcaption><\/figure>\n\n\n\n

Priscilla Guy benefits from support from Lorganisme in delegated production for her works PEAU (2023) and SKATING (upcoming creation).<\/p>\n\n\n\n

Biography<\/h3>\n\n\n\n
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\u00a9 Priscilla Guy<\/figcaption><\/figure>\n\n\n\n

Priscilla Guy is an artist, curator and arts researcher based in Marsoui, Gespe\u2019gewa\u2019gi (Gasp\u00e9sie). Her stage and film works are presented locally and internationally. She publishes texts in art magazines (Moebius, Moveo, Dance Current, 24images) and participates in various academic publications as an author or editor (Oxford, Routledge, Udlap). Holder of a doctorate in feminist and cinematic studies from the Universit\u00e9 de Lille (France), she has directed Mandoline Hybride since 2007, a banner under which she has initiated a number of dissemination projects (Regards Hybrides, Salon58, FURIES \u2013 contemporary dance festival, L\u2019Hybride \u2013 caf\u00e9 & bookshop). She currently sits on the boards of Studio 303 and Orange Noy\u00e9e. Priscilla received the Prix Culture from LOJIQ (2012), the Prix \u00c9tincelle from the Prix de la danse de Montr\u00e9al (2022), the Prix de th\u00e8se de l\u2019\u00c9cole doctorale SHS from Universit\u00e9 de Lille (2022) et the Prix du CALQ – Artiste de l’ann\u00e9e en Gasp\u00e9sie (2024).<\/p>\n\n\n

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PATINAGE (\u00c0 VENIR) | cin\u00e9danse<\/h3>\n

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Priscilla Guy dans Patinage \u00a9 Sonya Stefan<\/figcaption>\n<\/figure>\n

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Skating<\/em> is a docu-screendance based on a series of personal archives of figure skating. By revisiting these images from the 1990s-2000s and the memories they generate about her relationship to her own image, as well as to bodies in movement and at risk, choreographer and filmmaker Priscilla Guy questions the way in which this sport has left emotional and physical traces within her. By reinterpreting certain scenes from this skating period by swapping ice skates for roller skates, Priscilla Guy replays her own vulnerability in the face of the moving body which takes risks. It addresses the fear that inhabits us when faced with the image that we project and the fragility of our bodies in movement. Powered by the work of choreographic editing where the images shot on miniDV, 16mm film and digital format intersect, the film interweaves the conversations of three other artists participating in the project in an introspective journey that is both individual and collective. Through different archives, choreographic scenes, sound textures and visuals, the film asks the question: what dances inhabit our bodily memories and what looks have defined us?<\/p>\n

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Artistic team – Sonya Stefan, Camille Auburtin, Michel F C\u00f4t\u00e9
Residencies – Contact(s) 2022 \/ Mauricie (Canada), L\u2019Aninal a l\u2019Esquena 2023 \/ Celr\u00e0 (Spain), Salon58 2025 \/ Marsoui (Canada), Danse-Cit\u00e9 2026 \/ Montreal (Canada), Mille Plateaux 2026 \/ La Rochelle (France).<\/p>\n

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PEAU (2023) | performance (available for tour)<\/h3>\n

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Marie Claire Fort\u00e9, Priscilla Guy, Harmonie Fortin-L\u00e9veill\u00e9 et Claudia Chan Tak dans Peau<\/em> \u00a9 Moise Marcoux-Chabot<\/figcaption>\n<\/figure>\n

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An unusual choreographic proposition, Peau<\/em> uses screens, video projections and live editing effects. Four performers propose a continuous mutation of their image. It\u2019s not a question of magnifying or destroying the image, but of mobilizing technology and textiles to create a constant metamorphosis. All these \u201cskins\u201d collide, giving us a sense of what the epidermis absorbs from contact with a daily bombardment of images. In contrast to an often cold and geometric digital universe, technology here is a means of returning to the self and to touch, an incursion that is as close as possible to the skin, or perhaps even\u2026 beneath it.<\/p>\n

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Artistic Direction and Choreography \u2014 Priscilla Guy
Co-Choreographer for the Creation \u2014 Emilie Morin
Artistic Consultant \u2014 Marie Claire Fort\u00e9
Performance \u2014 Priscilla Guy, Claudia Chan Tak, Harmonie Fortin-L\u00e9veill\u00e9, and Marie Claire Fort\u00e9
Musical Composition and Sound Dramaturgy \u2014 Michel F C\u00f4t\u00e9
Sound Creation \u2014 Elizabeth Millar
Scenography \u2014 Julie Vall\u00e9e-L\u00e9ger
Lighting Design \u2014 Jon Cleveland
Video Conception \u2014 Priscilla Guy
Technical Direction and Stage Management \u2014 Justin Houde
Original Idea \u2014 Priscilla Guy, Emilie Morin and Elizabeth Millar
Coproduction \u2014 Agora de la danse
Residencies \u2014 Centre de Cr\u00e9ation O Vertigo, Brigittines (Belgium), PPS Danse, Vaste et Vague, Agora de la danse
Premiered at Agora de la danse, Montreal, Canada, November 22-25, 2023.<\/p>\n

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Infos – Priscilla Guy, guy.prisci@gmail.com<\/a><\/p>\n

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Booking – Suzie Lariv\u00e9e \/ La Tribu, suzie@latribu.ca<\/a><\/p>\n

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